The Puppet Wrangler

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Twelve-year-old Telly Mercer narrates her own story in a glib, flippant voice dripping with sarcasm. The smooth, cheeky tone should appeal to fans of Judy Moody at the younger end of the nine to fourteen recommended age range and "The Gossip Girls" at the older end.


Other appealingly ultra-hip textual elements include hilarious footnotes, letters, emails, and lists interspersed between chunks of well-paced and tightly structured narrative. Quiet Telly is used to her quiet life in a small Nova Scotia town and to being constantly overshadowed by Bess, her charming juvenile delinquent older sister. Telly is understandably overwhelmed when her parents send her to Toronto to stay with "pointy" Aunt Kathleen so that they can spend more time trying to "help" Bess.

Aunt Kathleen is a busy television producer.

The puppet wrangler

She's neither maternal nor particularly responsible. As a result, Telly is unceremoniously abandoned on the set of the Bitsie 'n' Bytesie show for preschoolers. First charmed by all the free junk food, then fascinated by the elaborate world behind the scenes of a television show, and finally shocked by a puppet come to life, Telly is content there.

During the day, she is entertained by the antics of the puppeteers, director, and other staff. In the evenings, she and Bitsie hang out together and become great friends, so Telly isn't lonely.

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In fact, her life in Toronto is very enjoyable until Bitsie becomes more and more demanding. He forces Telly to take him to the mall Bitsie is the ultimate consumer--because of all the television he watches by blackmailing her.

Bitsie desperately wants to make a pilgrimage to Quebec to meet the puppet-maker who put him together. When Telly finally agrees, things get really exciting. The Puppet Wrangler is an entertaining work of light, humourous fantasy.

New Addition to Puppet Wrangler!

Reality is exaggerated, and elements of the unreal slide in believably. Although characters are not much more than well-detailed types especially Zola, the puppet wrangler herself, who has the potential to be a unique and interesting character , they are quirky and engaging. Brooke works closely with the creative team of each film and television project to guarantee that their vision is realized in the characters he creates.

The Puppet Wrangler | Writers' Federation of Nova Scotia

Prior to her current position, Creighton was a part of the core team that launched Puppet Heap in where she was a major player in projects for clients including Little Airplane, Pierre Huyghe and The Walt Disney Company. As a show creator she has won grants from the Jim Henson Foundation. In this role, she provides administrative support to the Creative Supervisor and the rest of the team at the New York workshop to help ensure that every project runs smoothly and efficiently.

She graduated from the UCLA Animation Workshop and has a wide range of experience in both creative and production roles.

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She has also worked as a fabricator for stop motion animation and puppetry, and got her start with Henson as a puppet wrangler in Her other credits include Associate Producer for Warren the Ape on MTV, Assistant Animator on the stop motion Christmas special of Community , as well as puppet wrangling and fabrication for various other pilots and commercials. After graduating with a BFA in Theatre from Denison University in , she returned to the Company as part of the puppet workshop, which at that time was focused primarily on the Muppet characters. Prior to joining Henson, he worked as a producer on independent film productions in Philadelphia and New York.

Danny Ortega joined the company in and, as CG Supervisor, he is responsible for all computer generated development from modeling, rigging to animation.

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It is essential that all animated characters are believable and entertaining to all audiences and Ortega brings characters to life by showing their internal thoughts and emotions through physical motions. He works with modelers to produce cg models that accurately translate the character design while meeting any technical requirements needed to make it an efficient, reliable model to rig and animate.

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  4. He then works with riggers and technical directors to assure the character is properly rigged with all necessary controls needed to give a full range of motion and an easy to use rig. As well as properly rigging and exporting a character to be used in the Henson Digital Puppetry Studio.

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    In his role coordinating performers and auditions, he has worked on projects including Sesame Street , Coca Cola polar bears, Stuffed and Unstrung Puppet Up! After freelancing with the company and several design jobs with companies such as Dance Theatre of Harlem and Alvin Ailey Dance Co, he was invited to become a member of the staff in